Welcome back!

With new releases from Local Natives, Red Hot Chili Peppers and more, the month of June was the perfect way to kickstart summer. This playlist is an intricate mix of indie folk and dream pop, your perfect companion for whatever the following months have in store. I hope you’re enjoying your break as much as I am, I’ll be back later this month with two new concert reviews. Until then!

  1. Andy Shauf: The Magician https://youtu.be/PN0RPWII7gY
  2. Barry Adamson: Looking to Love Somebody https://youtu.be/KVjhmY09Stk
  3. Beirut: Venice https://youtu.be/mqP79H_VoKQ
  4. Bedroom: Nothing Lasts https://youtu.be/dTnYL0ZZt2w
  5. Blind Pilot: I Know https://youtu.be/ezEQ2iSgpRA
  6. Bright Moments: Travelers https://youtu.be/wb7l4FgjxZY
  7. Chrome Sparks: Send the Pain On https://youtu.be/OomM-lOHkSw
  8. Daniel Rossen: Silent Song https://youtu.be/PJ5C8qYlavE
  9. Diane Coffee: Everyday https://youtu.be/umnr9IDmBTw
  10. Dog Bite: Forever, Until https://youtu.be/msrv27W0uvQ
  11. Ducktails: Ivy Covered House https://youtu.be/QgirsYlIQJA
  12. Edward Sharpe & The Magnetic Zeros: Life is Hard https://youtu.be/9RHeaXKUNxA
  13. Elvis Depressedly: U Angel U https://youtu.be/3M8niWBruMo
  14. Local Natives: Past Lives https://youtu.be/JUOCOOOZyNo
  15. Nico Yaryan: Just Tell Me https://youtu.be/lmaQlyrZs88
  16. Red Hot Chili Peppers: The Getaway https://youtu.be/5w4d_mmJOGM
  17. The Clientele: Saturday https://youtu.be/TdkSLgzjuGY
  18. The Doorbells: Rivers Bend https://youtu.be/Di3XL75SCOg
  19. The Growlers: Someday https://youtu.be/wK2OqpjCWj4
  20. Unknown Mortal Orchestra: One at a Time https://youtu.be/PtyYzInEvjo


Welcome back!

The month of May was composed of good times and even better music. With new releases from Parks, Squares and Alleys and The Strokes, it was literally music to my ears. This playlist was created with the intentions of a calming trip to the beach with friends, acting as a soundtrack as cars passed on the freeway and sand caved beneath our feet. Soft psychedelia is a consistent theme throughout, perfect for making memories to this summer. Enjoy!

Link to my Spotify: (http://open.spotify.com/user/jennaryann/playlist/7z72MMrGsfHhLko2CgQ4kx)

  1. Craft Spells: Your Tomb (https://youtu.be/GcNuYxoBM9Y)
  2. Destroyer: Kaputt (https://youtu.be/DJSjspGcmMU)
  3. Dirty Projectors: Dance For You (https://youtu.be/MJutn2OXDZE)
  4. Foxygen: How Can You Really (https://youtu.be/fC1MW9uXiHg)
  5. Future Islands: A Dream of You and Me (https://youtu.be/d5gUsnJX2oA)
  6. Heavenly Beat: Faithless (https://youtu.be/uTA0o0DUEqw)
  7. Night Moves: Carl Sagan (https://youtu.be/wYK4z67UQRg)
  8. Parks, Squares and Alleys: Parasites (https://youtu.be/TGGQWdsYKxU)
  9. Sures: The Sun (https://youtu.be/weU_hDb57nE)
  10. Tame Impala: Sundown Syndrome (https://youtu.be/cqb8s5u75JE)
  11. The Beatles: Strawberry Fields Forever (https://youtu.be/PAbiWkHUizQ)
  12. The Bilinda Butchers: Tulips (https://youtu.be/rBzWfMYmHqA)
  13. The Growlers: The Fruit Is For Everyone (https://youtu.be/KyCqMqhA-RU)
  14. The Mamas & The Papas: California Dreamin’ (https://youtu.be/V0UcQDUR-fU)
  15. The Strokes: Threat of Joy (https://youtu.be/Qvhcs93C2x8)
  16. The Wake: Melancholy Man (https://youtu.be/pvbY1Mqq-XI)
  17. The Walters: I Love You So (https://youtu.be/NwFVSclD_uc)
  18. Ultimate Painting: Rolling in the Deep End (https://youtu.be/2gxjOD3Jf4g)
  19. Wild Nothing: Shadow (https://youtu.be/o4xTXB30hCQ)
  20. Woods: Sun City Creeps (https://youtu.be/RNIVuPsoygI)



Welcome back!

Last Monday, I had the wonderful honor of witnessing The 1975 perform live for the second time. Since I last saw them at the Club Nokia in December, the crowd had increased by roughly 4,000 people, transforming the Los Angeles Shrine Auditorium and Expo Hall into a room overflowing with passionate fans; many of whom endured the California heat for multiple days whilst waiting in line for the chance to be up close and personal with the band. Amidst the entrancing lights, enthralling vocals, and mesmerizing dance moves, a The 1975 concert is the epitome of pure ecstasy.

April 18, 2016

I arrived to the venue at 10:30 AM, roughly eight and a half hours before doors opened. To my surprise, over half of the parking lot was already accompanied by fans adorned with umbrellas and blankets to help beat the blazing sun. Joining them, I began to prepare myself for the night I had been anticipating for months. The Shrine neighboring the highly prestigious campus of the University of Southern California made for a convenient bathroom location, as well as the opportunity to witness college life first-hand considering the majority of the audience were adolescent. After several hours of homework and anxious waiting, the doors finally opened to reveal an open floor of possibilities. I made my way to the far left of the stage, as close as I could get which ended up only being about ten rows back. Within minutes, the entire banquet hall became a sea of integrated smiling faces.

Opening for The 1975 was The Japanese House, a dreamy electronic band from the United Kingdom. Being signed to the same record label, Dirty Hit Records, the two bands had become familiar with each other long before touring together. Their debut EP, Pools to Bathe In, was actually co-produced by Matty Healy and George Daniel, providing similar 80’s influenced synthetic beats. Accompanied with fanciful fog and euphoric charisma, The Japanese House successfully won over and prepared the crowd for the upcoming act.

Introduced by their hit single ‘Love Me’ off of the new album, I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It, the boys took stage as the room suddenly became doused in a vibrant pink hue.  My heart’s beats fell into sequence with the overwhelming echoes of George’s drums, as I jumped up and down in excitement amongst the various other bodies surrounding me. Healy’s voice rang through the building as thousands of others echoed, united in the name of music.

After singing fan favorites such as ‘Ugh!’, ‘Heart Out’, and ‘Menswear’, the energy was at an all time high. The crowd was especially rambunctious, being the first official show on the North American leg of the tour. People were getting pulled out of the pit left and right, disoriented from dehydration and complete lack of personal space. At one point, Healy had to order the crowd to take three large steps back as precaution to any further casualties. Despite the scare, the venue’s security took complete control of the situation as they helped free people from the crowd and distributed cups of water at an alarming rate.

Prior to performing one of their most intimate songs, ‘Me’, Healy preceded to preach about modern technology and it’s innocent distraction from the present. The entire floor was perpetually illuminated by the glow and flash of cellphones, which I’m admittedly guilty of contributing to. Although I cherish the videos that I did document, I’ll never forget the moments that I wasn’t worrying about keeping a steady hand and instead, was dancing as if my life depended on it.

“Just be here now, for like, five minutes. It’s just to be us and you, no phones. Honestly, the memory of these next five minutes will mean way more than a f***ing video on your phone. This song is about me, I love you.”

Before performing ‘Paris’ for the crowd, time was taken to discuss recent world events and put the American audience into perspective with tragedy-stricken Europe. As a popular advocate for equality and freedom, Healy establishes a personal connection with his fans through his passion for humanity and expression of beliefs. The room’s ebullient energy immediately shifted to reverence, as he began to empathize with the three hundred of those who suffered on the morning of March 22.

“We just toured Europe and it was amazing. But it was kind of weird, and I’m just going to be honest with you, because we like being honest with you. It was weird because the world is a f***ed up place, Europe in particular, is a particularly f***ed up place. We went to Brussels within the week of when all those people blew up that airport, and we do this every night. We do this every night, and it makes you question when it comes under threat, the actual practice of it, it starts to make you really question everything; like why we do it and all these kinds of things- is it superficial and what matters and stuff like that. The fact of the matter is stuff like this…this is as free as it gets, a pop concert. In regards to people’s liberties and the stuff that we have in the world, a pop concert is the most free place in the world. I’ve really realized that, so if we’re gonna be this free, let’s be free in honor of people who just aren’t that free.”

Subsequent to performing quite a lengthy set, the boys expressed their sincere gratitude and exited the stage. The screams continued for several minutes before they re-entered for their encore, singing one of my personal favorites, ‘If I Believe You’. As Matty sang about questioning religion and fulfilling his “God shaped hole”, blinding white lights flashed into the crowd, resembling that as you would see when entering Heaven. Healy’s willingness to share his beliefs and person struggles is exactly what makes The 1975 so identifiable with the substantial amount of fans they possess. Three more iconic songs followed before the night concluded, leaving thousands of distressed fans to fend for themselves in the fight for bathrooms, merchandise, and transportation. Every aspect of the night- from spotting a man passed out on the sidewalk before noon, to indulging in Subway sandwiches as if it was my last meal in days- made for an unforgettable experience.

Matty, George, Adam, Ross- thank you. Thank you for working so viciously to bring your vision and dream to life, along with mine. Thank you for communicating so openly with us; I feel as though I know each of you so thoroughly when truthfully, you’re all so unique and full of depth that would be a privilege to understand. I wish you all the best of luck regarding the continuation of your tour, everyone deserves such a spiritual experience as the one provide- you truly revolutionize every city you visit. Please feel welcome to return anytime you wish; there’s a permanent home in California and my heart that awaits.



Welcome back!

Recently, I was granted the unbelievable privilege to interview Christo Bowman, lead vocals of the California based band, Bad Suns. As a fan and aspiring music journalist, this opportunity was one of a kind and I’m so grateful. Huge thank you to Christo, the rest of the band (Miles Morris, Gavin Bennett, and Ray Libby), and their manager, Stephen Ling, who graciously made this all possible. Please enjoy!

Q: Regarding your upcoming tour with Halsey, are you planning on releasing new music beforehand or premiering any on stage?

A: Yes! We look forward to playing some new music on the road this summer.

Q: What factors contribute to creating the setlist for a tour?

A: For the past two years, we’ve really only had 12 songs to choose from. At our headline shows, we play all that we have. Even with those limitations, we try and shake it up as much as we can from tour to tour. Often, this involves playing alternate versions of different tracks from the album.

Q: What is your favorite song to perform live? Is there a song you wish you did?

A: “Sleep Paralysis” is fun for me, because that’s generally my moment to get off stage and interact with the audience more personally. I love getting to do that every night. It always feels special.

Q: What should fans expect from your upcoming album, and how will it differ from Language and Perspective?

A: I don’t want to say too much too soon. We’re the same band we’ve been, but we’ve grown up quite a bit since we made ‘L&P’.

Q: How do you balance touring, songwriting, and maintaining a social life outside of work?

A: It’s not always easy. We finished two years of touring the first album in November, and we immediately got back to work on album 2, and have been clocking in 10 hour days, 6 days a week, since then, pretty much. I’ve been home for 5 months now, and I’ve only seen my friends, outside of the band, a handful of times. That’s been different. Home has changed since we left it. It’s a bit extreme, but we get to do what we love so it’s hard to complain.

Q: Do you have any artists or albums that influenced you to pursue music from a young age?

A: Countless! The Strokes ‘Is This It’ and Bloc Party’s ‘Silent Alarm’ were both very important albums for this band in our formative years. They never get old.

Q: Do you have any current favorite artists or albums?

A: I’ve been enjoying the new Porches album, ‘Pool’. Kurt Vile put out a wonderful record this past fall called ‘b’lieve i’m goin down’.

Q: If you could tour with any artist of your choice, who would it be?

A: This is always tough. I think I’m gonna have to go with Phoenix. I’ve still never seen them live and they’re one of my favorite bands of the new millennium.

Q: What’s your favorite venue that you’ve played to date?

A: On our last tour with The Neighbourhood and Hunny, we played a venue called Metropolis in Montreal. It was our first time there and it was so incredible. The venue was beautiful and the crowd was magical. All the bands had a common green room so, naturally, there was a tournament-style guitar-shred-off. In an unforeseeable turn of events, Brandon Fried (drummer of The Neighborhood) was the night’s champion.

Q: What’s your most unique fan experience?

A: One night in 2014, on tour in Calgary, I was talking with some fans after the show. The following week, we were set to play a small festival with our tour mates The 1975, as well as Bastille. One of the fans I was speaking with knew this, handed me a ring, and politely asked if I would deliver it to Dan, the singer of Bastille. I promised that I would, and for some reason, I was committed to making this happen. I held on to that ring for an entire week on tour and then ultimately ended up talking to Bastille Dan at the gig in Florida, explained the situation to him, and gave him the ring. He graciously accepted the gift. I don’t remember the name of the woman who sent me on my quest, and she will most likely never find out that I was true to my word, but I was.


Welcome back!

Last Thursday, satire was brought to Orange County through the captivating stage presence of Father John Misty. Despite being his second sold-out show at the Observatory, Misty’s (also referred to as Josh Tillman) intimacy with the crowd made the experience feel like it was just the one individual- out of the actual five hundred and fifty- and him. This is mine. Enjoy!

March 31, 2016

I arrived to the venue around three hours before the doors opened, considering most concerts I’ve attended in the past have a queue forming well into the morning of the event. To my surprise, I was relieved to find only four people in line in front of me. Three hours of Scrabble and high school gossip later, I received my wristband and was mentally preparing for what was to come. Once I entered, an overwhelming sensation of excitement and nostalgia came over me; I had been at the same venue twice the month before to see The Neighbourhood and Hoodie Allen, and suddenly I was back to see another one of my most cherished performers. Without any confrontation, I calmly made my way up to the barricade and found myself centered with the stage.

I was in the middle of finishing another Scrabble game when Tillman’s opening act “Tess & Dave” took the stage. Adorned with matching blue eye shadow and floral brooches, the duo instantly enticed me and the audience with their blithe attitudes and Tame Impala influenced sound. With endearing synchronized dance moves and the intriguing background choreography of Long Beach natives, “The Ta-das'”, Tess and Dave successfully prepared the crowd for the main act ahead.

After another hour of chatter and anticipation, the moment had finally arrived. Following his fellow band mates whom were accompanied by the one and only, Tess and Dave, was the man himself. Decorated in a black and white polka-dot blouse underneath a fitted, black blazer was Father John Misty. His long hair and full beard made a familiar appearance, as the room quickly erupted into applause and screams.

‘Every Man Needs a Companion’ began the show, as Tillman strolled confidently up and down the stage. A few more songs off of his debut album (under Father John Misty), Fear Fun, followed before he finally introduced himself.

“I never liked the name Joshua. I got tired of ‘J’.”

Quickly, I learned that Tillman took advantage of any resources available that allowed him to become closer to his audience. The barricade was no longer a safe place to rest my arms, as brown suede boots soon possessed it. Tillman grasped as many hands as he could, including mine, leaving the people in awe and desperate for more. At one point during his performance, the upper mezzanine was paid a visit as Tillman dared to lift himself to the bars. The crowd was easily won over by his affectionate actions, sycophantic singing, and comprehensive charm.

After performing fan favorites including ‘Nancy from Now On’ and ‘Bored in the USA’, Tillman concluded his set with everyone’s favorite title track- ‘I Love You, Honeybear.’ White roses were thrown in acts of admiration, which Tillman loosely secured in his pocket (and I later snagged off of the stage, along with a severed setlist). After a round of informal ‘thank you’s’, the stage became empty yet again as Tillman prepared for his encore.

Once he returned, the ambiance shifted as he removed his jacket and took hold of one of his many acoustic guitars. Demanding silence, Tillman took the stage and begin singing a stripped version of one of my personal favorites, ‘I Went to the Store One Day.’

“Thank you. I never do this.”

With only two songs left, an impressive rendition of Rihanna’s ‘Kiss It Better’ off of her newly released album ANTI, was dedicated to his infamous muse and wife- Emma. To my amusement, lyric sheets were taped to the ground beside his own setlist, but were not needed as Tillman passionately transformed the song into his own.

Before I knew it, the entire crowd was jumping in unison to the beat of ‘The Ideal Husband’- the final song of the night. Tillman’s energy was high as he fell to his knees and sang with everything he had to offer.

Out of the twenty-six concerts and counting that I’ve attended, I can confidently say that I have never felt more engaged and serene than with which I did with Father John Misty. From the monochromatic lights to the harmonious vocals, every aspect that is contributed into the show accumulates into one unforgettable experience.

Mr. Tillman- it was an honor. Best regards to the remaining portion of the tour and any upcoming projects.

Until next time.


Welcome back!

The month of March was a fairly uneventful time of my life, despite the day I attended a James Franco book signing in Los Angeles. Years of admiration and appreciation led to those very few seconds that I will never forget- these are some of the songs I recall listening to that day. I hope that they provide you with the same happiness that they do myself, and hopefully you too can create your own memories through them! Thank you for your continued interest and support; my next post entitled, “Father John Misty: A Live Review”, will be published on April Seventh!

  1. Acid Ghost: All Alone (https://youtu.be/64MMP_a1I0I)
  2. Alex Calder: Lethargic (https://youtu.be/TEs0tPdXcbo)
  3. Allah-Las: No Voodoo (https://youtu.be/q6jTzJX0w_g)
  4. Beach Fossils: Clash the Truth (https://youtu.be/fwDEZMqHSyY)
  5. Bradford Cox: Dream Logic (https://youtu.be/yK7degDWTq0)
  6. Charlie Hilton: 100 Million (https://youtu.be/YzGRXlL5-3k)
  7. Dante Elephante: Heartbeat (https://youtu.be/fS_T00o-NB8)
  8. Dr. Dog: The Truth (https://youtu.be/DUnpNq7U2Qk)
  9. Good Morning: Time to Try Again (https://youtu.be/cy92xYd-JG0)
  10. Mac DeMarco: Sherrill (https://youtu.be/Cp1Xnfaalps)
  11. Parks, Squares and Alleys: Bicycle (https://youtu.be/ft41ujrRqWM)
  12. Real Estate: Kinder Blumen (https://youtu.be/8KlboOnYwIE)
  13. Smith Westerns: Smile (https://youtu.be/s1hDnJqCrY0)
  14. Tijuana Panthers: Redheaded Girl (https://youtu.be/gDqTCWO2880)
  15. Wild Nothing: Golden Haze (https://youtu.be/cwZGHPqfDtc)



Before I begin explaining what to expect from this blog, I’d like to first introduce myself. My name is Jenna- I am currently seventeen years old and living in the golden state of California. I have a strong passion for music and attempt to incorporate it into my daily lifestyle, hopefully finding a career to pursue that allows me to continue! I attend concerts as frequently as possible, as I find no greater joy than in seeing art being brought to life. I am extremely accepting of all genres of music, but I mostly associate myself with variations of indie rock, dream pop, and beach goth. I would love to hear your suggestions for songs or artists in the comments, as I promise I will listen to them and possibly include them in future posts!

Through monthly music playlists and the occasional concert review, I’m hoping to bring awareness to lesser known artists and expand your music library. Thank you in advance for your interest and support, you can expect my first official post to be a “March Music Favorites” published on April First!